Sheet Music & Books A to G

Eugen d'Albert (1864-1932) String Quartet No.1 in a minor, Op.7	Brahms & Hanslick were astounded a 23 year old could write such a mature master quartet. Hear the soundbites.
Eugen d'Albert (1864-1932) String Quartet No.2 in E flat Major, Op.11	Dedicated to Brahms with his approval, this is a rich, late romantic work with many original ideas.
Volkmar Andreae (1879-1962) Piano Trio No.1 in f minor, Op.1	A late Romantic masterpiece. Post-Brahmsian, powerful and compelling with excellent part-writing.
Volkmar Andreae (1879-1962) String Trio in d minor, Op.29	An important addition to the string trio literature. Appealing melodies in an early 20th century setting.
Elfrida Andrée (1841-1929) Piano Quintet in e minor	A fine work in the tradition of Mendelssohn and Schumann. Deserves concert performance.
John Antes (1740-1811) String Trio No.1 for 2 Violins & Cello	Very advanced writing for the time (1775). Unlike Haydn or Mozart of this period, the cello is an equal of the violins
Enrique Fernandez Arbós (1863-1939) Tres Piezas Originales en Estilo Español for Piano Trio	Three marvelous Spanish dances: a bolero, a habanera and a dance on gypsy themes. Very atmospheric.
Juan Crististomo Arriaga (1806-1826) String Quartet No.1 in d minor	Hugely talented and known as the "Spanish Mozart", this is the most Spanish of his three string quartets.
Juan Crististomo Arriaga (1806-1826) String Quartet No.2 in A Major	His gift for lovely melodies is apparent from the bravura theme of the opening movement.
Juan Crististomo Arriaga (1806-1826) String Quartet No.3 in E flat Major	Shows how well he understood the Vienna Classical composers but adds his own original ideas and themes.
Arno Babajanian (1921-1983) Piano Trio in f#minor	One of the most important piano trios of the 20th century. Full of drama, memorable melodies & interesting rhythms.
Edward Bache (1833-1858) Piano Trio in d minor, Op.25	This wonderful work is like having another Mendelssohn Piano Trio on your stand to play.
Woldemar Bargiel (1828-1897) Piano Trio No.1 in F Major, Op.6	A dramatic and powerful mid-Romantic Schumannesque piano trio filled with fresh ideas and wonderful melodies.
Woldemar Bargiel (1828-1897) Piano Trio No.2 in E flat Major, Op.20	Post-Schumann. Fine part-writing, appealing melodies, this is an important mid 19th cent Romantic work.
Woldemar Bargiel (1828-1897) String Octet in c minor, Op.15a	Reminiscent of late Mendelssohn and Schumann. Fine part-writing, effective melodies. A first class work.
Antonio Bazzini (1818-1897) String Quartet No.1 in C Major	This prize winning quartet combines the beauty of Italian lyricism with the structure of German romanticism.
Antonio Bazzini (1818-1897) String Quartet No.2 in d minor, Op.75	Perhaps the most dramatic of Bazzini's string quartets, yet still strongly lyrical.
Antonio Bazzini (1818-1897) String Quartet No.3 in E flat Major, Op.76	A fine romantic work combining Italian lyricism with the the influence of Mendelssohn & Schumann.
Antonio Bazzini (1818-1897) String Quartet No.5 in c minor, Op.80	Bazzini takes the Italian instrumental idiom and creates a first class work in the great European tradition.
Jan Levoslav Bella (1843-1936) String Quartet No.2 in e minor	A highly original-sounding masterpiece with advanced tonalities for its time (1871) and exotic touches.
Jan Levoslav Bella (1843-1936) String Quartet No.4 in B flat Major	Though from the late Romantic period, it has its own special sound and rhythms, giving it a fresh quality.
Karel Bendl (1838-1897) String Quartet in F Major, Op.119	This quartet, by an important but lesser known Czech composer, is as fine as the best Smetana or Dvorak.
Wilhelm Berger (1861-1911) Trio for Clarinet, Cello & Piano in g minor, Op.94	One of the finest works for this combination ever composed. A late-romantic masterpiece
Adolphe Blanc (1828-1885) Septet for Winds & Strings in E Major, Op.40	It may have its equals, but there is nothing better for this combination. A beautiful and convincing masterpiece.
Luigi Boccherini (1743-1805) String Trios (Vln, Vla & Vc) Nos. 1 & 2	Two of the best trios from the early classical era. By turns elegant and exciting, the cello has an important role
Luigi Boccherini (1743-1805) String Trio in D (2 Vlns & Vc) "El Fandango"	Perhaps the best trio Boccherini wrote for this combination complete with an exciting Spanish fandango.
Luigi Boccherini (1743-1805) String Quintet No.60 (2Vc) "La Ritirata di Madrid"	Actual title La Musica Notturna delle Strada di Madrid recreates the sounds and music on the streets of Madrid
Léon Boëllmann (1862-1897) Piano Trio in G Major, Op.19	A Prize-Winning work of high originality and great beauty. An unjustly forgotten masterwork of the first order.
Léon Boëllmann (1862-1897) Piano Quartet in f minor, Op.10	One of the masterpieces of the French chamber literature. Atmospheric, mysterious, then sparkling and dynamic.
Alexandre Boëly (1785-1858) String Trio No.1 in D Major, Op.5 No.1	Dating from 1808, this trio takes Beethoven as its model. A fine late classical-early romantic work for string trio.
Carl Bohm (1844-1920) "Trout" Piano Trio Op.330 No.2	A light, charming piano trio which quotes the theme from Schubert's famous quintet.
Alexander Borodin (1833-1887) String Sextet in d minor, Op. Post.	An early, Mendelssohnian work from Borodin's time in Germany with Russian folk melody.
Alexander Borodin (1833-1887) String Trio for 2 Violins & Cello in g minor	One of Borodin's earliest works based on a famous Russian folk song.
Jan Brandts Buys (1868-1933) Romantische Serenade for String Quartet	Lovely early 20th century Central European impressionist masterpiece where the viola shines throughout.
Tomás Bretón (1850-1923) String Quartet in D Major	Combines the influences of the Vienna classics with Bruckner, the French impressionists & Spanish melody.
Frank Bridge (1879-1941) Phantasie for String Quartet in f minor (1902)	Prize-winning work which pioneered the new, emerging early 20th century British style of writing.
Frank Bridge (1879-1941) Three Idylls for String Quartet	Short tone poems tonally far ahead of their time, with elements of the blues and Latin music.
Frank Bridge (1879-1941) Three Novelletten for String Quartet	Finely drawn character pieces, drawing on many moods, at times very modern at others quite romantic.
Frank Bridge (1879-1941) Three Miniatures Nos. 1-3 for Piano Trio	Superb short character pieces of charming simplicity & lovely melodies, perfect little encores or as a short work
Frank Bridge (1879-1941) Three Miniatures Nos. 4-6 for Piano Trio	A sad Romance, a jaunty Intermezzo and a brilliant, upbeat Saltarello make up this set of little gems.
Frank Bridge (1879-1941) Three Miniatures Nos. 7-9 for Piano Trio	Brilliantly written cameos each of which could serve as a superb encore or together as a short concert work.
Max Bruch (1838-1920) String Quartet No.2 in E Major, Op.10	Unjustly over looked first rate mid romantic era work. Mendelssohnian but very original rhythms and themes.
Anton Bruckner (1824-1896) String Quartet in c minor	This fine quartet shows how Bruckner's roots were firmly in the classics. Excellent part writing and good melodies.
Anton Bruckner (1824-1896) String Quintet (2Vla) in F Major	A unique masterpiece within the literature. Paralleling the grandeur of his symphonic works.
Anton Bruckner (1824-1896) Intermezzo for String Quintet (2Vla) in d minor	This little gem was composed on the request of the famous violinist who asked Bruckner for a string quintet.
August Bungert (1845-1915) Piano Quartet in E flat Major, Op.18	Awarded first prize by Brahms & Volkmann, this fine work is filled with wonderful melodies & fine part writing.
Ferruccio Busoni (1866-1924) String Quartet No.2	An incredible quartet with tonalities way ahead of its time (1889). A masterwork from the post romantic period.
Georgy Catoire (1861-1926) String Quartet in f# minor, Op.23	The father of Russian modernism. This original sounding quartet ingeniously combines Russian and French styles.
Charles Wakefield Cadman (1881-1946) Piano Trio in D Major, Op.56	Anticipates Gershwin, uses Ragtime motifs, beautiful melodies with excellent part-writing. Hear the soundbites.
George Chadwick (1854-1931) String Quartet No.1--World Premiere Edition	This original, prize winning work introduced American melodies 25 years before Dvorak visited America.
George Chadwick (1854-1931) String Quartet No.4 in e minor	An impressive composition using native American melodies in the tradition of Dvorak's American Quartet.
George Chadwick (1854-1931) String Quartet No.5 in d minor	One of the most important American string quartets written during the last part of the 19th century.
Cécile Chaminade (1857-1944) Piano Trio No.1 in g minor, Op.11	A sparkling work full of Gallic wit, with lovely melodies & fine part writing. A welcome addition to the repertoire.
Luigi Cherubini (1760-1842) String Quartet No.1 in E flat Major	With its unorthodox rhythms, exotic Spanish Scherzo & Mendelssohnian elves dance trio, a very unusual work.
Luigi Cherubini (1760-1842) String Quartet No.3 in d minor	Perhaps no other contemporary quartet so closely approaches the profundity of Beethoven's. A masterpiece.
Luigi Cherubini (1760-1842) String Quintet (2Vc) in e minor	Inexplicably unknown masterpiece with a second cello part the equal of the first. Tuneful and exciting.
Samuel Coleridge-Taylor (1875-1912) Quintet for Clarinet & String Quartet in f# minor	A true masterpiece. Certainly one of the finest clarinet quintets ever written. In the tradition of Dvorak.
Jean Cras (1879-1932) String Trio	An extraordinary, unique modern masterpiece for string trio of the highest originality. Hear the sound-bites.
Nancy Dalberg (1881-1949) String Quartet No.2 in g minor	A fine modern work which extends traditional tonality toward its outer limits without breaking its bounds.
Franz Danzi (1763-1826) Wind Quintet in g minor, Op.56 No.2	Modeled on those of Reicha but written for Everyman and not just virtuoso players. Good part writing for all.
Franz Danzi (1763-1826) Wind Quintet in C Major, Op.68 No.2	Mozartian chromaticism and melodies grace this elegant and charming work for winds.
Franz Danzi (1763-1826) Wind Quintet in d minor, Op.68 No.3	Eminently playable, with appealing melodies & fine part-writing. Leaves little to be desired for this type of work
Félicien David (1810-1876) Piano Trio No.3 in c minor	Called the link between Onslow & Saint-Saëns, here a lovely gem from the early French romantic period.
Otto Dessoff (1835-1892) String Quartet in F Major, Op.7	A warm and genial mid-late Romantic work by a close friend of Brahms.
Otto Dessoff (1835-1892) String Quintet (2Vc) in G Major, Op.10	This fine work could well be mistaken as having been penned by Brahms himself.
Constantin Dimitrescu (1847-1928) String Quartet No.1, Op.21	This easy, fun to play quartet is an audience pleaser by the man sometimes called the Romanian Mendelssohn.
Ernst von Dohnanyi (1877-1960) String Quartet No.1 in A Major, Op.7	Full of charm and Viennese elegance. Original use of tone color which incorporates several exotic touches.
Ernst von Dohnanyi (1877-1960) String Quartet No.2, Op.15	One of the greatest, if not the greatest post-Brahmsian romantic string quartets. Hear the sound-bites for yourself.
Gaetano Donizetti (1797-1848) String Quartet No.18 in e minor	An operatic gem in fine string quartet style from one of the great Italian masters of melody.
Friedrich Dotzauer (1783-1860) String Quintet (2Vc) in d minor, Op.134	A tuneful, dramatic and exciting early Romantic work in the style of Onslow and Spohr.
Franz Drdla (1868-1944) 3 Hungarian Dances for Piano Quintet, Op.30 No.4	One of the most famous and effective salon works of its time. In the style of Liszt & Brahms' Hungarian music.
Théodore Dubois (1837-1924) Piano Trio No.1 in c minor	A classical example of French romanticism, by turns elegant, gay, sophisticated and dramatic. A superb work.
Théodore Dubois (1837-1924) Piano Trio No.2 in e minor	A work of lofty inspiration and delicacy of expression, yet full of Gallic wit and elegance.
Théodore Dubois (1837-1924) Promenade Sentimentale for Piano Trio	A lovely, highly romantic character piece, from one of the great masters of the French Romantic movement
Théodore Dubois (1837-1924) Piano Quartet in a minor	A masterwork of late French romanticism in the tradition of Saint-Saens, dramatic with fine melodies.
Théodore Dubois (1837-1924) Quintet for Piano, Winds & Strings in F Major	Lovely late French romantic work with original scoring and distinctive use of instrumental timber.
Jan Ladislav Dussek (1760-1812) Quintet for Piano, Violin, Viola, Cello & Bass, Op.41	Written for the same instrumentation as the Trout some 2 decades before it! Sounding of the Viennese Classics.
Anton Eberl (1765-1807) Trio for Clarinet, Cello & Piano, Op.36	No one had more works that publishers passed off as Mozart's than Eberl & this lovely trio sounds like the master
Georges Enescu (1881-1955) String Octet in C Major, Op.7	A huge, epic masterwork combining late romanticism with emerging polytonality for an astounding tonal result.
Joseph Eybler (1765-1846) Str Quintet for 2Vln, Vla, Vc & Kb in D, Op.6 No1	A charming, very tuneful Viennese Classical work in concertante style with fine part writing for all.
Philipp Fahrbach, Jr. (1843-1884) Im Kahlenberger Dörfl, Op.340 for Piano Trio	Part of our Vienna Dance Series. One of the most famous and charming dances from Vienna's third waltz dynasty.
Louise Farrenc (1804-1875) Trio in e, Op.45 for Flute/Violin, Cello & Piano	Superb in either version. A top flight romantic work from arguably the best woman composer of the 19th century.
Friedrich Fesca (1789-1826) String Quartet No.2 in f# minor, Op.1 No.2	His tuneful music was admired by Weber & Spohr and provides an excellent alternative to Haydn or Mozart.
Zdenek Fibich (1850-1950) Piano Trio in f minor, Op. Post.	A fine work from the contemporary of Dvorak & Smetana who began using Czech melodies before they did.
Zdenek Fibich (1850-1950) Piano Quartet in e minor, Op. 11	Powerful. Very originally constructed with linking of thematic material. Hailed as first class by the critics.
Zdenek Fibich (1850-1950) Piano Quintet in D Major, Op.42	Unique tone color in both versions--piano, winds & srings & standard piano quintet. Charming, captivating melodies
Zdenek Fibich (1850-1950) String Quartet in G Major, Op.8	Here you will find an engaging and pioneering work complete with fetching Czech melodies and rhythms.
Zdenek Fibich (1850-1950) Theme & Variations for String Quartet	One of the few worthwhile stand-alone Theme & Variations written for String Quartet.
Arkady Filippenko (1912-1983) String Quartet No.1 in a minor	A real find. Ukrainian master composer. The first of 3 superb works for string quartet. Powerful and fresh.
Arkady Filippenko (1912-1983) String Quartet No.2 in D Major	A towering, monumental work which won the U.S.S.R. State Prize. As fine as Shostakovich's Quartet No.8!
Arkady Filippenko (1912-1983) String Quartet No.3 in G Major	From the simplest Ukrainian folk-tune he builds a staggering colossus. Exordinarily fine.
Arthur Foote (1853-1937) String Quartet No.1 in g minor, Op.4	A dramatic and appealing work combining the influence of Schumann & Mendelssohn with his own original ideas.
Arthur Foote (1853-1937) Tema & Variazione for Str Qt (Qt.No2), Op.32	The only movement he published from his 2nd Qt. He did not want this magnificent & big set of variations to die.
Arthur Foote (1853-1937) Piano Trio No.1 in c minor, Op.5	This mid-late romantic period trio unquestionably belongs in the concert repertoire. Superb from start to finish.
Arthur Foote (1853-1937) Piano Trio No.2 in B flat Major, Op.65	Another masterwork, this time in the idiom of the post-romantics. Original, tuneful & bracing.
Arthur Foote (1853-1937) Piano Quartet in C Major, Op.23	A piano quartet of the first rank. Fun to play, an audience pleaser, excellent part-writing and good melodies.
Arthur Foote (1853-1937) Piano Quintet in a minor, Op.38	An extremely fine work by an important American composer. Many say as good as the Brahms and Dvorak.
Eduard Franck (1817-1893) Piano Quintet in D Major, Op.45	Filled with lovely melodies reminiscent of Mendelssohn and Schubert with excellent and effective part-writing.
Eduard Franck (1817-1893) String Quartet No.1 in f minor, Op.49	Turbulent and full of passion. Takes Mendelssohns Op.13 and Beethoven's Op.95 as its models.
Eduard Franck (1817-1893) String Quartet No.2, Op.54-World Premiere Edition	Modeled on Beethoven's Harp Quartet, this work shows Franck's superb compositional talent.
Eduard Franck (1817-1893) String Quartet No.3 in c minor, Op.55	Explosive and dramatic. A fresh-sounding quartet from the mid-romantic period by a very good composer.
Eduard Franck (1817-1893) String Sextet No.1 in Eb Major, Op.41	This sparkling and Mendelssohnian sextet is full of gorgeous melodies with fresh and original ideas.
Eduard Franck (1817-1893) String Sextet No.2 in D Major, Op.50	Another superb sextet which belongs in the concert hall and which amateurs will treasure.
Richard Franck (1858-1938) Piano Trio No.1 in b minor, Op.20	Archetypical German mid romantic period music, by turns dramatic and lyrical, this work plays extremely well.
Richard Franck (1858-1938) Piano Trio No.2 in E flat Major, Op.32	A late romantic masterwork for piano trio. Rich and warm-blooded melodies in the tradition of Brahms.
Richard Franck (1858-1938) Piano Quartet No.1 in A Major, Op.33	Lyrical, exciting and very romantic, this beautiful work is great fun to play and presents no technical difficulties
Richard Franck (1858-1938) Piano Quartet No.2 in E Major, Op.41	Hailed by critics as a poetic masterwork, this highly romantic work is very satisfying to play.
Robert Fuchs (1847-1927) String Trio in A Major, Op.94	Post-Brahmsian, and without doubt, one of the masterworks of the string trio literature.
Robert Fuchs (1847-1927) String Quartet No.3 in C Major, Op.71	A late romantic masterwork with great originality, excellent part-writing and appealing melodies.
Robert Fuchs (1847-1927) String Quartet No.4 in A Major, Op.106	Another masterwork in which Fuchs combines a rich tonal palette with great rhythmic originality.
Robert Fuchs (1847-1927) 7 Fantasy Pieces for Violin, Viola & Piano, Op.57	In the front rank of works of this genre, beautiful tone color and highly emotive.
Robert Fuchs (1847-1927) Piano Trio No.2 in B flat Major, Op.72	A marvelous work which belongs in the repertoire but not at all hard to play and should interest amateurs as well.
Robert Fuchs (1847-1927) Piano Quartet No.2 in b minor, Op.75	Very late romantic masterwork for piano quartet. Richly written with fine melodies and original ideas.
Niels Gade (1817-1890) Five Novelletten for Piano Trio, Op.29	Five superb, romantic character pieces, each different in the tradition of Schumann and Kirchner.
Hans Gal (1890-1987) String Quartet No.1 in f minor, Op.16	Excellent 20th century late tonal work by a master composer whose works deserve to be better known.
Vincent Gambaro (17??0-18??) Wind Quartet in E flat Major, Op.4 No.1	Viennese Classical Era Wind Quartet for Flute, Clarinet, Horn & Bassoon. Fine melodies, solos for all.
Friedrich Gernsheim (1839-1916) String Quartet No.2 in a minor, Op.31	A powerful & tonally rich quartet, full of drive & force from a Brahms contemporary. The sound-bites tell the story.
Friedrich Gernsheim (1839-1916) Piano Trio No.2 in B Major, Op.37	A superb trio from the romantic period from a master composer of great melodic gifts and technical ability.
Friedrich Gernsheim (1839-1916) Piano Quintet No.1 in d minor, Op.35	Has to be one of the greatest piano quintets unjustly forgotten. As good as the greats, hear the sound-bites.
Felice Giardini (1716-1796) String Trio Nos. 7 & 11	Giardini's trios along, with those of Boccherini, rank with the very best written before Mozart's Divertimento.
Felice Giardini (1716-1796) String Trio Nos. 8 & 12	Two charming trios which combine the concertante style with that of the Mannheim composers. Good parts for all.
Felice Giardini (1716-1796) String Trio Nos. 9 & 10	Two more engaging works from the transitional Mannheim era. Concertante with solos for each voice.
Alexander Glazunov (1865-1931) String Quintet (2 Vc) in A Major, Op.39	Rich Russian tonal color, highly romantic, great part-writing. One of the best for this combination
Reinhold Gliere (1875-1956) String Quartet No.1 in A Major, Op.2	Gliere made his name with this Quartet. Rich Russian melodies, mesmerizing rhythms, superb part writing.
Reinhold Gliere (1875-1956) String Quartet No.2 in g minor, Op.20	Dedicated to Rimsky-Korsakov, this quartet is an homage to both him & Borodin. Exotic with wonderful tone color.
Reinhold Gliere (1875-1956) String Quartet No.3 in d minor, Op.67	A masterwork from the important early Soviet (1927) era illustrative of the development of Russian music.
Reinhold Gliere (1875-1956) String Sextet No.3 C Major, Op.11	One of the glories of Russian chamber music. Richly tonal, full-blooded and exciting. A masterwork of its kind.
Reinhold Gliere (1875-1956) String Octet in D Major, Op.5	One of the greatest, if not the greatest romantic string octet ever written. Not to be missed by any octet group.
Mikhail Glinka (1804-1857) Trio Pathétique for Pno, Cln, & Bsn or Vln & Vc	A little early Romantic gem which sounds equally well in the version for piano and winds or piano and strings.
Mikhail Glinka (1804-1857) String Quartet No.2 in F Major	This charming work has themes from Ruslan & Ludmila but was written 12 years before the opera.
Mikhail Glinka (1804-1857) Sextet for Piano, String Qt & Bass in E flat	Brimming with gorgeous melodies and good opportunities for all, a fine piece, especially for this rare ensemble.
Benjamin Godard (1849-1895) Piano Trio in No.1 g minor, Op.32	Full of elan, French Romanticism at its best with lovely melodies and fine part-wriing
Karl Goepfart (1859-1942) Quartet in d for Flute, Oboe, Clarinet & Bassoon	This is an appealing, tuneful, light-hearted and playful work in the late romantic style.
Hermann Goetz (1840-1876) Piano Trio in g minor, Op.1	A highly-charged, unjustly forgotten mid-romantic masterpiece full of fresh and original melodies.
Hermann Goetz (1840-1876) Piano Quartet in E Major, Op.6	Considered one of the masterpieces of the piano quartet literature. Once a fixture in the concert hall.
Hermann Goetz (1840-1876) Quintet for Piano, Violin, Viola, Cello & Bass, Op.16	A fine addition for the Trout instrumentation. Well-written with no great technical difficulties
Carl Goldmark (1830-1915) Piano Trio No.2 in e minor, Op.33	A superb work which really ought to be returned to the concert stage. Very enjoyable to hear and to play.
Carl Goldmark (1830-1915) String Quartet in B flat Major, Op.8	Typical mid-romantic period work, well written for all of the voices with appealing melodies.
Carl Goldmark (1830-1915) String Quintet (2Vc) in a minor, Op.9	Tonally rich and full-blooded, this work makes excellent use of both cellos in their lower registers.
Charles Gounod (1818-1893) String Quartet in a minor, Op. Post.	Gallic wit and charm combined with a lightness of touch and a sense of playfulness.
Théodore Gouvy (1819-1898) Piano Trio No.2 in a minor, Op.18	From Bravura to the dark & foreboding to the comic, you will find it all in this superb and very original piano trio
Théodore Gouvy (1819-1898) Piano Trio No.3 in B flat Major, Op.19	Another excellent, mid romantic work full of attractive melodies and fresh ideas.
Théodore Gouvy (1819-1898) Piano Quintet in A Major, Op.24	The Chamber Music Journal calls it a masterwork. Judge for yourself and listen to our sound-bites.
Théodore Gouvy (1819-1898) String Quartet No.5 in c minor, Op.68	Here you will find solemnity interspersed with pathos and lovely melodies from an important mid romantic.
Théodore Gouvy (1819-1898) String Quintet (2Vc) in G Major, Op.55	In the scant literature of string quintets for 2 cellos, this is one of the best. Romantic with great melodies
Alexander Gretchaninov (1864-1964) String Quartet No.1, Op.2	Very Russian. From one of Rimsky's most talented students. A prize-winning, late 19th century romantic gem.
Alexander Gretchaninov (1864-1964) String Quartet No.2, Op.70	An extraordinary mixture of late Russian romanticism with French impressionism. Very original and engaging.

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