Composers S to Z
(Click on composer's name for details & soundbites)
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Camille Saint-Saëns (1835-1921) String Quartet No.1 in e minor, Op.112 |
Hailed as a masterwork upon its premiere. This is a Saint-Saens you have not heard. Original and powerful. |
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Camille Saint-Saëns (1835-1921) String Quartet No.2 in G Major, Op.153 |
One of his last works. In part, a light-hearted neo-classical tribute to Mozart. Fun to play and full of surprises. |
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Camille Saint-Saëns (1835-1921) Piano Trio No.1 in F Major, Op.18 |
A fresh, gay, and boisterous work of originality. A good choice for professionals & amateurs alike. |
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Camille Saint-Saëns (1835-1921) Piano Trio No.2 in e minor, Op.92 |
Considered by many to be the finest French piano trio of the 19th century. A wonderful work by a master composer. |
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Camille Saint-Saëns (1835-1921) Piano Quintet in A Major, Op.14 |
A youthful, energetic work full or originality and unusual sonic touches which make it a very attractive piece. |
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Philipp Scharwenka (1847-1917) Violin Sonata in b minor, Op.110 |
An unqualified late romantic masterwork. Highly original, dramatic, powerful. Hear the sound-bites. |
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Philipp Scharwenka (1847-1917) String Quartet No.1 in d minor, Op.117 |
Very fine, first rate, rich late romantic work. Excellent part writing for all with appealing melodies. |
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Philipp Scharwenka (1847-1917) String Quartet No.2 in D Major, Op.120 |
Another first rate, late romantic quartet. Good part-writing, fine melodies. Certainly deserves to be heard. |
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Xaver Scharwenka (1850-1924) Cello Sonata in e minor, Op.46 |
A rich, full-blooded romantic work, very well written for the cello. First class and convincing melodies.. A fine work. |
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Xaver Scharwenka (1850-1924) Piano Trio No.1 in f# minor, Op.1 |
Acclaimed from the day it was published, an instant success in the concert hall. A very mid romantic fine work. |
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Xaver Scharwenka (1850-1924) Piano Trio No.2 in a minor, Op.45 |
Hard to believe that a superb work such as this fell into oblivion. Masterful and first rate in every way. |
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Xaver Scharwenka (1850-1924) Piano Quartet in F Major, Op.37 |
A powerful and dramatic masterwork of the romantic literature. It belongs in the concert hall. |
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Max von Schillings (1874-1939) String Quartet in e minor (1887) |
A first rate, late romantic work with tinges of Hugo Wolf. Finely constructed with good part-writing for all. |
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Franz Schmidt (1874-1939) String Quartet No.1 in A Major |
A post-Brucknerian masterpiece. Leisurely, graceful and written on a big tonal canvas with very original ideas. |
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Othmar Schoeck (1886-1957) String Quartet No.1 in D Major |
An engaging neo-classical quartet with Mozartian tendencies, by turns lyrical and playful with surprises. |
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Johann Schrammel (1850-1893) Kunst und Natur March for String Quartet |
Part of our Vienna Dance Series. Schrammelmusik came to be regarded as more Viennese than Strauss waltzes! |
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Clara Schumann (1819-1896) Piano Trio in g minor, Op.17 |
A fine mid Romantic work in the tradition of Mendelssohn. Lovely melodies and good part writing. |
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Adrien-François Servais (1807-1866) Souvenir de Spa for Cello & Piano, Op.2 |
A very showy recital piece from the mid-romantic era full of wonderful melodies and unusual techical wizzardry. |
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Adrien-François Servais (1807-1866) Fantasy on the Barber of Seville for Cello & Pno, Op.6 |
A virtuoso recital piece par excellence from the man Berlioz & Mendelssohn called the Paganini of the cello. |
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Giovanni Sgambati (1841-1914) Piano Quintet No.1 in f minor, Op.4 |
Massive, Monumental and very original sounding. A superb work which wears well and will triumph in concert. |
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Andrei Shtogarenko (1902-1992) Armenian Sketches for String Quartet |
Original and exotic masterwork evoking the sounds and instruments of Central Asia. Listen tor the sound-bites. |
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Jean Sibelius (1865-1957) Piano Trio in C Major, "Lovissa" |
Though an early work, it is mature, full of fine melodies and in the style of the mid Romantic movement. |
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Christian Sinding (1856-1941) Suite for Violin & Piano in F Major, Op.14 |
Shows off both instruments stunningly. Powerful and thrusting. An excellent recital work. |
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Christian Sinding (1856-1941) Violin Sonata in F Major, Op.73 |
Sinding at his romantic best. Full of lovely melodies, flourishes and fine writing. |
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Christian Sinding (1856-1941) Serenade No.1 in G for 2 Violins & Piano, Op.56 |
One of the best works ever for this combination. Original ideas coupled with powerful tone color. Highly romantic. |
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Christian Sinding (1856-1941) Serenade No.2 in A for 2 Violins & Piano, Op.92 |
Everything said about Serenade No.1 applies here as well. Among the very best for this combination every written. |
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Christian Sinding (1856-1941) Piano Quintet in e minor, Op.5 |
Admired by Tchaikovsky, Busoni, Sibelius, and many others, this work is a fresh and original masterpiece. |
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Leone Sinigaglia (1868-1944) Serenade for String Trio in D Major, Op.33 |
A neo-classical masterwork for String Trio. Clever & original would make an outstanding concert choice. |
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Hans Sitt (1850-1922) Piano Trio No.1, Op.63 No.1 |
A concert work which makes no technical demands yet is perfect. A little gem reminiscent of Brahms & Schumann. |
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Hans Sitt (1850-1922) Piano Trio No.2, Op.63 No.2 |
Shows the influence of Brahms without being imitative. A short but first-rate romantic trio deserving of performance. |
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Dame Ethel Smyth (1858-1944) String Quintet (2Vc) in E Major, Op.1 |
With fresh and original-sounding themes, a very welcome addition to the late romantic cello quintet literature. |
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Dame Ethel Smyth (1858-1944) String Quartet in e minor (1912) |
Very unusual in conception with very modern tonalities though within entirely traditional tonal framework |
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Johann Sobeck (1831-1914) Wind Quintet No.1 in F Major, Op.9 |
A fresh and original sounding work written in the idiom of the mid romantic era with grateful solos for all. |
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Louis Spohr (1784-1859) Piano Trio No.3 in a minor, Op.124 |
One of Spohr's very best chamber works. Excellent part writing, original ideas, and tuneful melodies. |
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Louis Spohr (1784-1859) String Quartet No.2 in c minor, Op.4 No.2 |
In the tradition of Mozart and the Beethoven Op.18 quartets, Spohr puts his own stamp on this fine 1806 work |
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Louis Spohr (1784-1859) String Quartet No.35 in E flat Major, Op.155 |
From his late period. A graceful, charming work written in a quasi neo-classical style. Good part writing for all. |
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Charles Villiers Stanford (1852-1924) Piano Trio No.1 in E Flat Major, Op.35 |
An excellent romantic work, elegant, with lovely melodies and a very exciting finale. |
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Charles Villiers Stanford (1852-1924) Piano Trio No.2 in g minor, Op.73 |
A rich, full-blooded romantic work of the highest quality. Fine part-writing and satisfying melodies |
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Charles Villiers Stanford (1852-1924) Piano Trio No.3 in A Major, Op.158 |
A late romantic mature work finely shaped, with appealing melodies and original ideas. |
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Charles Villiers Stanford (1852-1924) Piano Quartet No.1 in F Major, Op.15 |
A 1st class work from the mid-late romantic period that can stand comparison with just about any other piano quartet. |
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Charles Villiers Stanford (1852-1924) Piano Quintet in d minor, Op.25 |
After the Brahms, Dvorak & Schumann, this superb quintet must be placed near the very top of its class. |
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Charles Villiers Stanford (1852-1924) String Quartet No.1 in G Major, Op.44 |
Takes its inspiration from Mendelssohn & Schubert. Wonderful melodies and superb part-writing. |
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Charles Villiers Stanford (1852-1924) String Quartet No.2 in a minor, Op.45 |
A top-notch work that belongs in the repertoire yet will also be a pleasure to amateurs. |
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Charles Villiers Stanford (1852-1924) String Quintet in F Major, Op.85 |
Full of rich melodies, many based on Irish folk music, and excellent part-writing. A fine addition to the repertoire |
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Wilhelm Stenhammar (1871-1927) Violin Sonata in a minor, Op.19 |
A charming and intimate work full of lovely romantic melodies, many tinged with folkloric flavor. |
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Wilhelm Stenhammar (1871-1927) String Quartet No.1 in C Major, Op.2 |
Combines late romantic passion with classical restraint. The first of his towering set of six quartets. |
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Wilhelm Stenhammar (1871-1927) String Quartet No.2 in c minor, Op.14 |
Power, pathos, drama, excitement, sorrow, beauty--it is all here in the late romantic idiom of this extraordinary work. |
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Wilhelm Stenhammar (1871-1927) String Quartet No.3 in F Major, Op.18 |
A very powerful, late romantic masterpiece. One of the best quartets written between those of Brahms & Bartok. |
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Wilhelm Stenhammar (1871-1927) String Quartet No.4 in a minor, Op.25 |
Called one of the "Mightiest Quartets in the history of Swedish Music." Highly original with great power. |
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Wilhelm Stenhammar (1871-1927) String Quartet No.5 in C, Op.25 "Serenade" |
Lighter in nature, the brilliant and humorous Serenade has one of the best sets of variations in the entire literature. |
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Wilhelm Stenhammar (1871-1927) String Quartet No.6 in d minor, Op.35 |
With Beethoven's Late Qts before him, S. succeeds in creating a modern work with similar emotions & depth |
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Wilhelm Stenhammar (1871-1927) Allegro Brillante for Piano Quartet in E flat Major |
Intended by the composer for concert performance this is a warm and engaging work with excellent part writing. |
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Zygmunt Stojowski (1870-1946) Violin Sonata No.2 in E flat Major, Op.37 |
A wonderful early modern (1912) work full of lovely melody and superb writing. Belongs in the recital hall. First rate. |
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Johann Strauss, Jr. (1825-1899) Morgenblätter Waltzes for Piano Quintet |
Part of our Vienna Dance Series. One of his best larger waltz compositions. Charming and captivating. |
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Johann Strauss, Jr. (1825-1899) Leichtes Blut Polka for Piano Trio |
Part of our Vienna Dance Series. Lively, high-spirited, this polka is fun to play and makes a brilliant encore. |
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Johann Strauss, Jr. (1825-1899) Liebeslieder Waltzes for Piano Trio |
Part of our Vienna Dance Series. Once of Strauss' most charming set of waltzes. |
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Johann Strauss, Jr. (1825-1899) The Blue Danube Waltzes for Piano Trio |
Part of our Vienna Dance Series. Here is a work which needs no further description. |
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Johann Strauss, Jr. (1825-1899) Geschichten aus dem Wienerwald for String Quartet |
This famous set of beautiful waltzes is known as Tales from the Vienna Woods to English speakers. |
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Johann Strauss, Jr. (1825-1899) Kunstlerleben (Artist's Life) Waltzes for String Qt |
Part of our Vienna Dance Series. Called the twin of the Blue Danube, here is another set of superb waltzes. |
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Johann Strauss, Jr. (1825-1899) Overture to Die Fledermaus for String Quartet |
Part of our Vienna Dance Series. All of the tunes from one of the World's most beloved operas. |
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Johann Strauss, Jr. (1825-1899) Tritsch-Tratsch Polka for Str Qt / Pno Qnt etc. |
One of the most famous polkas in 4 different arrangements: String Qt, Pno Qnt (Pno, 2Vln, Vc & Kb) or clarinet or flute. |
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Johann Strauss, Jr. (1825-1899) Wiener Blut Waltzes for String Quartet |
Part of our Vienna Dance Series. One of the most famous set of waltzes Strauss ever wrote. |
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Johann Strauss, Jr. (1825-1899) Wiener Bonbons Waltzes for Piano Qnt, also Cln & Fl |
Part of our Vienna Dance Series. Another beloved and famous set of waltzes. Also versions with clarinet and flute |
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Johann Strauss, Jr. (1825-1899) Kaiser-Walzer (Emperor Waltzes) for String Quartet |
Part of our Vienna Dance Series. This superb set of waltzes is justly famous and well-beloved. |
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Johann Strauss, Jr. (1825-1899) Annen Polka for String Qt / Piano Trio or Piano Qnt |
Part of our Vienna Dance Series. A light, charming "Polka Français"--elegant and graceful. |
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Johann Strauss, Sr. (1804-1849) Bajaderen Waltzes for String Quartet |
Part of our Vienna Dance Series. A lovely series of waltzes from the orignal Waltz King of Vienna. |
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Johann Strauss, Sr. (1804-1849) Gitana Galopp for String Quartet |
Part of our Vienna Dance Series. A very attractive Viennese fast dance which gained great popularity. |
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Johann Strauss, Sr. (1804-1849) Jugendfeuer Galopp for Piano Trio |
Part of our Vienna Dance Series. A kick up your heels, toe-tapping work that makes an excellent encore. |
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Johann Strauss, Sr. (1804-1849) Champagne Galopp for String Quartet |
Part of our Vienna Dance Series. Perfect for New Year's, Weddings or any time music of celebration is called for. |
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Johann Strauss, Sr. (1804-1849) Kettenbrücke Waltzes for String Quartet |
Part of our Vienna Dance Series. One of the earliest and most beloved of Strauss Sr's wonderful waltz sets. |
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Johann Strauss, Sr. (1804-1849) Hof-Ball-Tänze for 3 Vln & Vc or String Quartet |
Part of our Vienna Dance Series. Another very typical and beloved set of Viennese dances from the 1830's. |
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Johann Strauss, Sr. (1804-1849) Sperl Polka for String Quartet |
Part of our Vienna Dance Series. A charming Viennese polka named after the famous Sperl Dance Hall. |
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Johann Strauss, Sr. (1804-1849) Salon Polka for String Quartet |
Part of our Vienna Dance Series. Light and elegant and full of Viennese charm. |
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Die guten, alten Zeiten for String Quartet |
Part of our Vienna Dance Series. A wonderful set of sentimental Waltzes conjuring up Old Vienna. |
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Richard Strauss (1874-1935) Violin Sonata in E flat Major, Op.18 |
A big, powerful work composed during his transitional period (1887), combining classical with his newer effots. |
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Richard Strauss (1864-1949) String Quartet in A Major, Op.2 |
Early Strauss. Influenced by Mendelssohn, yet with many original and fresh twists and melodies. Good to play |
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Josef Suk (1874-1935) Piano Trio in c minor, Op.2 |
A youthful, fresh work with one foot firmly in the old romantic camp and the other heading in new directions. |
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Josef Suk (1874-1935) Piano Quartet in a minor, Op.1 |
A great work full of spirit and energy that belongs in the concert hall and repertoire but great for amateurs too |
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Josef Suk (1874-1935) String Quartet No.1, Op.11 |
A post Dvorak master quartet that is both romantic and an early example of Czech modernism. |
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Sir Arthur Sullivan (1842-1900) Romance for String Quartet |
A short, charming early work from Sullivan's Leipzig days, has the flavor and grace of a Mendelssohn intermezzo. |
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Johan Svendsen (1840-1911) String Quartet in a minor, Op.1 |
Full of youthful exuberance. Hailed by critics. Unusual mix of Norse & Hungarian melody. |
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Johan Svendsen (1840-1911) String Quintet (2Vla) in C Major, Op.5 |
A fresh work from the mid romantic period in the Leipzig tradition and with tinges of Norse melody. |
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Alexander Taneyev (1850-1918) String Quartet No.1 in G Major, Op.25 |
A late 19th century Russian romantic whose music, like that of Rimsky's other students, is brilliant and finely crafted. |
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Alexander Taneyev (1850-1918) String Quartet No.2 in C Major, Op.28 |
Another excellent late Russian romantic quartet with a superb and original Intermezzo, Valse melancolique. |
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Alexander Taneyev (1850-1918) String Quartet No.3 in A Major, Op.30 |
The 3rd of the set, full of fine lyrical melodies, well written with good part writing for all. |
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Sergei Taneyev (1856-1915) String Trio for 2 Violins & Viola in D Major, Op.21 |
An important addition to this scanty repertoire. Bright and beautiful, Mozartian through a Romantic Russian filter. |
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Sergei Taneyev (1856-1915) String Quartet No.1 in b flat minor, Op.4 |
A first rate string quartet which undoubtedly belongs in the repertoire. Professionals & Amateurs will enjoy this work. |
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Sergei Taneyev (1856-1915) String Quartet No.2 in C Major, Op.5 |
Towering, massive--one of the greatest late 19th cent. works for string quartet. Extraordinary by any standard. |
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String Quartet No.3 in d minor, Op.7 |
Only 2 movements, but 2nd movement with its theme & 8 variations is an unique exploration for this format. |
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Sergei Taneyev (1856-1915) String Quartet No.4 in a minor, Op.11 |
The Chamber Music Journal describes this work in 2 words: Massive & Masterpiece. Not to be missed. |
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Sergei Taneyev (1856-1915) String Quintet (2Vc) in G Major, Op.14 |
One of the finest works for this ensemble ever penned. A huge Russian romantic masterpiece. |
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Sergei Taneyev (1856-1915) String Quintet (2Vla) in C Major, Op.16 |
Monumental. A work of the first rank. Powerful, unrelenting and full of pathos, a memorial to Belaiev's memory. |
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Sergei Taneyev (1856-1915) Piano Trio in D Major, Op.22 |
A massive work. One of the very best late 19th or early 20th century Russian piano trios. |
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Sergei Taneyev (1856-1915) Piano Quintet in g minor, Op.30 |
Superlatives are not enough to do justice to this extraordinary work. A colossus among piano quintets |
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String Quartet No.3 in e flat minor, Op.30 |
Little known, but hailed by critics as one of the finest. A memorial and tribute his friend violinist Ferdinand Laub |
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Ferdinand Thieriot (1838-1919) Octet for Strings & Winds, Op.62 |
For the same combination as Schubert's Octet, this is an excellent work with lovely melodies & good parts for all. |
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Ambroise Thomas (1811-1896) String Quartet in e minor |
A light but brilliantly written work reflecting the Italian opera tradition of the 1830's. A sure audience pleaser. |
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Ludwig Thuille (1861-1907) |
A major sonata, brilliantly written. Dramatic, impassioned and full of convincing melodies. |
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Ludwig Thuille (1861-1907) Violin Sonata No.2 in c minor, Op.30 |
Another major post Brahmsian, late romatic sonata. Impressively written. Belongs in the recital hall. |
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Ludwig Thuille (1861-1907) Piano Quintet No.2 in E flat Major, Op.20 |
A dramatic and powerful post romantic work of the very first order. Belongs in the standard repertoire. |
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Ludwig Thuille (1861-1907) Sextet for Piano & Wind Quintet in B flat, Op.6 |
A really good work for this combination of instruments. Lovely melodies and excellent part writing. Very effective. |
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Joaquin Turina (1882-1949) String Quartet in d minor, Op.4 |
A fusion of Spanish melodies and rhythms with the expressive means of French impressionism. Beautiful work |
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Ralph Vaughan Williams (1872-1958) Phantasy String Quintet (2 Vla) |
Nothing else for this combination sounds like it. Pastoral folk music from the English countryside. Fine part writing. |
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Henri Vieuxtemps (1820-1881) String Quartet No.2 in C Major, Op.51 |
A sunny work full of lovely melodies and fine part writing. Inspired by Beethoven. |
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Heitor Villa-Lobos (1887-1959) String Quartet No.5 |
A modern masterwork full of a mixture of exotic and lovely, Brazilian, African and Indian melodies. Superb. |
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Giovanni Battista Viotti (1755-1824) String Quartet in F Major, G.112 |
The gentlest of Viotti's three fine concertante quartets from the early 19th century. Good solos for all. |
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Giovanni Battista Viotti (1755-1824) String Quartet in B Flat Major, G.113 |
One of the finest concertante style quartets with solos for each voice. Paganini borrowed greatly from Viotti. |
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Giovanni Battista Viotti (1755-1824) String Quartet in G Major, G.114 |
From a set of three of the finest concertante style quartets ever written. Beautiful melodies for all. Paganini-esque. |
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Robert Volkmann (1815-1883) String Quartet No.1 in a minor, Op.9 |
More advanced than Mendelssohn & Schumann, Volkmann is the link between them & Brahms. |
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Robert Volkmann (1815-1883) String Quartet No.4 in e minor, Op.35 |
A very interesting mid-romantic quartet with several unusual and original ideas. |
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Robert Volkmann (1815-1883) String Quartet No.5 in f minor, Op.37 |
Beethovian fury & rage burst forth throughout this very powerful mid- romantic masterwork. |
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Robert Volkmann (1815-1883) Piano Trio No.1 in F Major, Op.3 |
A piano trio in the tradition of Beethoven and Schubert with many unusual touches and a Gypsy finale. |
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Robert Volkmann (1815-1883) Piano Trio No.2 in b minor, Op.5 |
A masterpiece which Liszt considered the finest piano trio of its time. |
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Bruno Walter (1876-1962) Violin Sonata in A Major (1909) |
Very powerful post-Brahmsian, late romantic work. Full of drama, tension and emotion. Makes a strong impression |
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Joseph Miroslav Weber (1854-1906) String Quartet No.2 in b minor (1891) |
Tchaikovsky & Rimsky-Korsakov awarded it the 1st prize & Wilhelm Altmann hails it as the equal of Dvorak's late qts. |
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Joseph Miroslav Weber (1854-1906) String Quintet in D Major (2 Cellos) |
This prixe winning work combines Bohemian melodies and dance rhythms with central European Romanticism. |
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Anton Webern (1883-1945) Langsamer Satz in E flat for String Quartet |
A little, very beautiful, late romantic gem written before Webern surrendered himself to the 12 tone system. |
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Anton Webern (1883-1945) Rondo in F Major for String Quartet |
Combines traditional tonality with adventurous experimentation to create fresh and original tone colors. |
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Karl Weigl (1881-1949) String Quartet No.3 in A Major, Op.4 |
One of the most significant and important quartets of the 20th cent, expands & builds on late Romantic tonalites. |
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Leó Weiner (1885-1960) String Trio in g minor, Op.6 |
One of the masterpieces of the string trio literature. A late romantic work in the new emerging modern idiom. |
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Leó Weiner (1885-1960) String Quartet No.1 in Eb Major, Op.4 |
A very important early modern string quartet from the first years of the 20th century. Belongs on the concert stage. |
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Leó Weiner (1885-1960) String Quartet No.2 in f# minor, Op.13 |
Winner of the 1922 Coolidge Prize for Chamber Music. An acclaimed modern masterwork. Powerful and original. |
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Leó Weiner (1885-1960) String Quartet No.3 in G Major, Op.26 |
A fine work which combines Hungarian folk melody with modern, but traditional tonality. |
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Leó Weiner (1885-1960) Divertimento No.2 for String Qt, Op.24a |
A charming four movement work based on Hungarian folk tunes, each with a different character. |
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Felix Weingartner (1863-1942) String Quartet No.1 in d minor, Op.24 |
Combines the styles of late Romanticism with early Modernism, 1st rate work from era of Mahler & R. Strauss |
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Felix Weingartner (1863-1942) String Quartet No.3 in F Major, Op.34 |
Hailed as a masterpiece of style. A highly individual work combining late Romanticism with early Modernism. |
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Felix Weingartner (1863-1942) Sextet for Piano, String Quartet & Bass in e, Op.33 |
Outstanding late romantic masterpiece. Written on a huge scale, dark and brooding. Dramatic with fine part-writing |
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Charles-Marie Widor (1844-1937) Piano Trio in g minor, Op.19 |
A overlooked masterwork from the developing French Romantic school of composition |
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Charles-Marie Widor (1844-1937) Piano Quintet No.1 in d minor, Op.7 |
Another unjustly overlooked work which is in its way the equal of Cesar Franck's better known piano quintet. |
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Johan Wikmanson (1753-1800) String Quartet No.1 in d minor |
In the spirit of Haydn but original and fresh-sounding, while making very good use of the viola and cello. |
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Hugo Wolf (1860-1903) Intermezzo for String Quartet |
An innovative work years ahead of its time which could not be understood by the critics of 1886. Melodic and daring. |
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Hugo Wolf (1860-1903) Italian Serenade for String Quartet |
Bright and appealing melodies with quirky rhythms which evoke a true, sunny Mediterranean atmosphere |
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Hugo Wolf (1860-1903) String Quartet in d minor |
A youthful, idiosyncratic work bursting with energy. Highly dramatic and full of passion. |
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Ermanno Wolf-Ferrari (1876-1948) Piano Trio No.1 in D Major, Op.5 |
Full of fresh ideas and youthful exuberance, this trio combines Italian lyricism with late German romanticism. |
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Ermanno Wolf-Ferrari (1876-1948) Piano Quintet in D flat Major, Op.6 |
An unusual combination of German & Italian late romantic music reflecting the composer's origins. A fine work. |
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Ermanno Wolf-Ferrari (1876-1948) Violin Sonata No.1 in g minor, Op.1 |
A very original sounding work full of passion and unusual tonal effects. |
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Ermanno Wolf-Ferrari (1876-1948) Violin Sonata No.2 in a minor, Op.10 |
More in the nature of a phantasy. Very original, showing great emotion with a personal mode of expression. |
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Paul Wranitzky (1756-1808) String Quartet Op.23 No.5 "King of Prussia" |
A first rate work in the idiom of the Vienna Classics by a friend and contemporary of Mozart & Haydn. |
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Wladysław Żeleński (1837-1921) Piano Quartet in c minor, Op.61 |
An adornment to the late romantic repertoire. Exquisite melodies, superb part-writing, a first rate work. |
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Alexander Zemlinsky (1871-1942) Trio in d minor for Cln or Vln, Vc & Pno, Op. 3 |
A superb late romantic work that so impressed Brahms that he immediately sent it to his publisher to be printed. |
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Alexander Zemlinsky (1871-1942) String Quartet No.1 in A Major, Op. 4 |
One of the most important quartets written between Brahms and the start of the New Vienna School. |
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Hermann Zilcher (1881-1948) Piano Quintet in c sharp minor, Op. 42 |
Hailed by the Chamber Music Jounral as the equal to anything being written at the time (1918) Post-Brahmsian |