Presents
Woldemar Bargiel
String Octet in c minor, Op.15a
"In 1877, Bargiel composed his String Octet. It can
certainly be recommended for performance by professionals in concert.
Additionally, amateurs, when they have a chance, should not miss the opportunity
to play this octet, which not only sounds good but also Presents
few technical
difficulties. Although Bargiel was clearly steeped in the classical masters,
nonetheless, this is the work of a composer from the Romantic era and one who
possesses a fine tonal palette. The work begins with a lengthy, elegiac Adagio
introduction which leads to a magnificent Allegro appassionato full of wonderful
writing. (our sound-bite gives only the last few measures of the Adagio and the
first part of the Allegro) The lovely coda, with its cello melody, reminds one of Mendelssohn. The
middle movement combines a short, religious-sounding, slow movement, Andante
sostenuto, which is bound together with a bustling Mendelssohnian scherzo,
Allegro. The main theme to the finale, Allegro, is based on a rustic folk
dance. It is by turns stormy and gentle."---Wilhelm
Altmann, Handbook for String Quartet Players.
Woldemar
Bargiel (1828-97) was Clara Schumann’s half brother. Clara was nine years older than Woldemar.
Throughout their lives, they enjoyed a warm relationship. Thanks to Clara, Bargiel was introduced to both
Robert Schumann and Felix Mendelssohn. Upon the suggestion of the former and the
recommendation of the latter, he was sent to study at the famous
Leipzig Conservatory with two of the leading men of music: Ignaz Moscheles
(piano) and Niels Gade (composition). Subsequently, Bargiel held
positions at the conservatories in Cologne and Rotterdam before accepting a
position at the prestigious Hochschule fur Musik in Berlin where he taught for
the rest of his life. Among his many students were Paul Juon and Leopold
Godowsky. Besides teaching and composing, Bargiel served with Brahms as
co-editor of the complete editions of Schumann’s and Chopin’s works. While
Bargiel did not write a lot of music, most of what he composed was well thought
out and shows solid musical craftsmanship. His chamber music—he wrote four
string quartets, a string octet and three piano trios—rePresents
an important
part of his output.
Long out of print, we are pleased to make this fine octet available once again.
(A) Octet-Parts Only | $49.95 |
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(B) Parts & Score US Addresses Only | $74.95 |
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(C) Parts & Score Non US Addresses | $94.95 |
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