Composers C to D
(Click on composer's name for details & soundbites)
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Charles Wakefield Cadman (1881-1946) Piano Trio in D Major, Op.56 |
Anticipates Gershwin, uses Ragtime motifs, beautiful melodies with excellent part-writing. Hear the soundbites. |
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Teresa Carreño (1853-1917) String Quartet in b minor |
By turns dramatic and lyrical, this well-written work was once part of the repertoire. It deserves revival. |
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Alexis de Castillon (1838-1873) Piano Quartet in g minor, Op.7 |
An important early French romantic work (1869). D'Indy called him one of the best chamber musicians of his time. |
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Alexis de Castillon (1838-1873) Piano Quintet in E flat Major, Op.1 |
Hailed as a milestone in French repertoire. An opulent, extravagant, and highly original work. |
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Georgy Catoire (1861-1926) Piano Trio in f minor, Op.14 |
Superb example of early Russian modernism, with its roots in Tchaikovsky but with French impressionism too. |
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Georgy Catoire (1861-1926) Piano Quartet in a minor, Op.31 |
A wonderful fusion of Scriabin and French impressionism and other modern tendancies. Enticing & individualistic. |
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Georgy Catoire (1861-1926) Piano Quintet, Op.28 |
Unique in the piano quintet literature. Nothing else sounds like it. Full of magical moments. A first clast fine work. |
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Georgy Catoire (1861-1926) String Quartet in f# minor, Op.23 |
The father of Russian modernism. This original sounding quartet ingeniously combines Russian and French styles. |
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Georgy Catoire (1861-1926) String Quintet for 2 Violins, Viola & 2 Cellos, Op.16 |
Highly individualistic and original, this is a first rate and major addition to the 2 cello string quintet literature |
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Georgy Catoire (1861-1926) Violin Sonata No.1 in b minor, Op.15 |
A big work combining elements of French impressionism with Russian melody and Wagnerian tonalities.H |
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George Chadwick (1854-1931) String Qt No.1 in g minor--World Premiere Edition |
This original, prize winning work introduced American melodies 25 years before Dvorak visited America. |
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George Chadwick (1854-1931) String Qt in C MajorNo.2--World Premiere Edition |
Premiered to tumultuous acclaim, this masterpiece is full of wonderful "can do" American optimism. 1st class work. |
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George Chadwick (1854-1931) String Quartet No.4 in e minor |
An impressive composition using native American melodies in the tradition of Dvorak's American Quartet. |
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George Chadwick (1854-1931) String Quartet No.5 in d minor |
One of the most important American string quartets written during the last part of the 19th century. |
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George Chadwick (1854-1931) Piano Quintet in E flat Major |
Along with the quintets of Arthur Foote, Mrs Beach, & Henry Hadley, one of the most important & best American quintets |
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Cécile Chaminade (1857-1944) Piano Trio No.1 in g minor, Op.11 |
A sparkling work full of Gallic wit, with lovely melodies & fine part writing. A welcome addition to the repertoire. |
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Cécile Chaminade (1857-1944) Piano Trio No.2 in a minor, Op.34 |
Dramatic and powerful. A work which sets out to scale the heights. Definitely belongs in the concert hall. |
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Luigi Cherubini (1760-1842) String Quartet No.1 in E flat Major |
With its unorthodox rhythms, exotic Spanish Scherzo & Mendelssohnian elves dance trio, a very unusual work. |
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Luigi Cherubini (1760-1842) String Quartet No.2 in C Major |
At a time when no one else could understand what Beethoven was doing, Cherubini shows that he did |
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Luigi Cherubini (1760-1842) String Quartet No.3 in d minor |
Perhaps no other contemporary quartet so closely approaches the profundity of Beethoven's. A masterpiece. |
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Luigi Cherubini (1760-1842) String Quartet No.4 in E Major |
A powerful and original work which attempts to explore new territory a la Late Beethoven |
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Luigi Cherubini (1760-1842) String Quartet No.5 in F Major |
The second of Cherubini's trilogy of late quartets which explores new paths of expression. A very fine work. |
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Luigi Cherubini (1760-1842) String Quartet No.6 in a minor |
Idiomatic and original, combining Italian lyricism, French drama and Germanic structure. A very effective work. |
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Luigi Cherubini (1760-1842) String Quintet (2Vc) in e minor |
Inexplicably unknown masterpiece with a second cello part the equal of the first. Tuneful and exciting. |
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Samuel Coleridge-Taylor (1875-1912) Ballade in c minor for Violin & Piano, Op.73 |
A richly emotive tone poem in rhapsodic form. Lyrical and impassioned, it makes a fine recital piece. |
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Samuel Coleridge-Taylor (1875-1912) Variations in b minor for Cello & Piano (1905) |
Clearly displays his compositional talents with a brilliant work that will be a success in the recital hall. |
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Samuel Coleridge-Taylor (1875-1912) Fantasiestücke for String Quartet, Op.5 |
Five wonderful character pieces which together make a highly effective work for the concert hall. |
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Samuel Coleridge-Taylor (1875-1912) Quintet for Clarinet & String Quartet in f# minor, Op.10 |
A true masterpiece. Certainly one of the finest clarinet quintets ever written. In the tradition of Dvorak. |
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Arcangelo Corelli (1653-1713) String Trio (2 Vlns & Vc), Op.4 No.1-3 |
From a set regarded as the beginning of chamber music as we know it. Excellent part writing. Fine baroque works. |
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Arcangelo Corelli (1653-1713) String Trio (2 Vlns & Vc), Op.4 No.4-6 |
As mentioned above these are historically important works but also an excellent addition to the repertoire. |
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Jean Cras (1879-1932) Piano Trio (1907) |
A very original and interesting work. Cras combines music of the sea with updated baroque forms. |
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Jean Cras (1879-1932) Piano Quintet (1922) |
A modern masterwork. Though not programmatic, it recounts a voyage Cras made. Tonally adventurous |
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Jean Cras (1879-1932) String Trio (1925) |
An extraordinary, unique modern masterpiece for string trio of the highest originality. Hear the sound-bites. |
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Three Trios for 2 Violins & Cello (or Viola) Op.13 |
Cremont called these concert & light, meaning they were technically easy but could still be played in concert. |
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Carl Czerny (1791-1857) Piano Quartet No.1 in c minor, Op.148 |
Powerful, dramatic and exciting, this work combines elements of Beethoven & Schubert, with Czerny's own touch |
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Nancy Dalberg (1881-1949) String Quartet No.2 in g minor |
A fine modern work which extends traditional tonality toward its outer limits without breaking its bounds. |
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Franz Danzi (1763-1826) Wind Quintet in g minor, Op.56 No.2 |
Modeled on those of Reicha but written for Everyman and not just virtuoso players. Good part writing for all. |
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Franz Danzi (1763-1826) Wind Quintet in C Major, Op.68 No.2 |
Mozartian chromaticism and melodies grace this elegant and charming work for winds. |
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Franz Danzi (1763-1826) Wind Quintet in d minor, Op.68 No.3 |
Eminently playable, with appealing melodies & fine part-writing. Leaves little to be desired for this type of work |
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Félicien David (1810-1876) Piano Trio No.2 in d minor |
Called the link between Onslow & Saint-Saëns, here a captivating gem from the early French romantic period. |
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Félicien David (1810-1876) Piano Trio No.3 in c minor |
This is truly a masterwork from the early French romantic period. Lovely melodies and fine part-writing. |
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Ferdinand David (1810-1873) Bunte Reihe for Violin & Piano, Op.30 |
24 wonderful character pieces, each with a different mood. These little gems should be in every violinist's repertoire |
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Ferdinand David (1810-1873) Eight Salon Stücke for Violin & Piano, Op.36 |
These lovely pieces are not merely works for the salon but surprisingly dramatic works very suitable for recital. |
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String Quartet in a minor, Op.32 |
Mendelsohn's favorite violinist knew how to write well for strings. Appealing melodies, good to hear and to play. |
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Otto Dessoff (1835-1892) String Quartet in F Major, Op.7 |
A warm and genial mid-late Romantic work by a close friend of Brahms. |
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Otto Dessoff (1835-1892) String Quintet (2Vc) in G Major, Op.10 |
This fine work could well be mistaken as having been penned by Brahms himself. |
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Edouard Destenay (1850-1924) Trio for Clarinet, Oboe & Piano in e minor, Op.27 |
A charming work which combines German Romanticism with the musical language of Saint Saens & Gounod. 1st rate |
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Albert Dietrich (1835-1892) Piano Trio No.1 in c minor |
A good friend of both Schumann & Brahms, the two have pollinated this very fine and beautiful mid romantic work. |
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Constantin Dimitrescu (1847-1928) String Quartet No.1, Op.21 |
This easy, fun to play quartet is an audience pleaser by the man sometimes called the Romanian Mendelssohn. |
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Karl Ditters von Dittersdorf (1739-1799) String Trio in D Major |
A typical representative or the early Vienna Classical style showing the influence of Haydn. |
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Karl Ditters von Dittersdorf (1739-1799) String Quartet No.1 in D Major |
On a par with Haydn's Op.33 Quartets. An excellent example from the middle Vienna Classical period. |
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Karl Ditters von Dittersdorf (1739-1799) String Quartet No.3 in G Major |
An work which straddles the Mannheim period and the early Viennese Classical era. |
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Karl Ditters von Dittersdorf (1739-1799) String Quartet No.5 in E flat Major |
Like his first quartet, this work is a good choice where an alternative program selection to Haydn or Mozart is sought |
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Ignacy Dobrzynski (1807-1867) String Quintet No.1 (2Vc or 2Vla) in F Major, Op.20 |
In the tradition of Onslow & Spohr and just as good. Finishes with a very attractive Polacca movement. |
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Ignacy Dobrzynski (1807-1867) String Quintet No.2 (2Vc) in a minor Op.40 |
Every bit as good as the first. The Chamber Music Journal places it in the Masterwork category. |
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Ignacy Dobrzynski (1807-1867) String Sextet (2Vln, Vla, 2Vc & Kb) in Eb Major Op.39 |
Lovely melodies and much excitement in a excellent work which deserves to be revived. |
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Ernst von Dohnanyi (1877-1960) Violin Sonata in c# minor, Op.21 |
In the tradition of the late romantic Central European master sonata. Tuneful & dramatic, 1st class all the way. |
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Ernst von Dohnanyi (1877-1960) String Quartet No.1 in A Major, Op.7 |
Full of charm and Viennese elegance. Original use of tone color which incorporates several exotic touches. |
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Ernst von Dohnanyi (1877-1960) String Quartet No.2 in D flat Major, Op.15 |
One of the greatest, if not the greatest post-Brahmsian romantic string quartets. Hear the sound-bites for yourself. |
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Ernst von Dohnanyi (1877-1960) String Quartet No.3 in a minor, Op.33 |
Written between the two World Wars, this work shows Dohnanyi treating tonality in new and modern ways. |
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Ernst von Dohnanyi (1877-1960) Piano Quintet No.1 in c minor, Op.1 |
Brahms called it a masterpiece & insisted on playing the piano part at its successful premiere. An outstanding work |
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Ernst von Dohnanyi (1877-1960) Piano Quintet No.2 in e flat minor, Op.26 |
Dark and brooding, but beautifully written and captivating. Belongs in the concert hall but not too hard for amateurs |
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Gaetano Donizetti (1797-1848) String Quartet No.2 in A Major |
A charming example of early Italian romantic chamber music by the young Donizetti. |
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Gaetano Donizetti (1797-1848) String Quartet No.18 in e minor |
An operatic gem in fine string quartet style from one of the great Italian masters of melody. |
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Gaetano Donizetti (1797-1848) String Quintet (2 Violas) |
He wrote many quintet movements, no quintet. This work combines 2 of the best movements to make a short quintet |
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Friedrich Dotzauer (1783-1860) String Quintet (2Vc) in d minor, Op.134 |
A tuneful, dramatic and exciting early Romantic work in the style of Onslow and Spohr. |
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Felix Draeseke (1835-1913) Sonata in B flat Major for Clarinet or Violin, Op.38 |
COne of the very best late romantic sonatas for clarinet. Great melodies, fine part-writing-equal to the Brahms. |
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Felix Draeseke (1835-1913) String Quartet No.1 in c minor, Op.27 |
Combines tinges of Mendelssohn and Schumann with the spacious ideas of Bruckner. A very fine & appealing work |
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Felix Draeseke (1835-1913) String Quartet No.2 in e minor, Op.35 |
Brucknerian, multi-faceted with good part-writing, fine melodies and great care in the development of themes. |
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Felix Draeseke (1835-1913) String Quartet No.3 in c sharp minor, Op.66 |
A first class, late romantic work. Excellent part-writing, attractive melodies and some unusual & original ideas. |
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Felix Draeseke (1835-1913) String Quintet in F Major, Op.77 |
A universality and complexity of thematic ideas on a par with Beethoven's Late Quartets. |
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Quintet for Vln, Vla, Vc, Horn & Pno in Bb Major, Op.48 |
Jovial and good-humored, this fine works treats all of the voices generously. Appealing melodies. A winner. |
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Franz Drdla (1868-1944) 3 Hungarian Dances for Piano Quintet, Op.30 No.4 |
One of the most famous and effective salon works of its time. In the style of Liszt & Brahms' Hungarian music. |
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Cello Sonata in D Major (1905) |
An individual, fresh sounding sonata from the French romantic era. An excellent recital choice. |
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Théodore Dubois (1837-1924) Piano Trio No.1 in c minor |
A classical example of French romanticism, by turns elegant, gay, sophisticated and dramatic. A superb work. |
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Théodore Dubois (1837-1924) Piano Trio No.2 in e minor |
A work of lofty inspiration and delicacy of expression, yet full of Gallic wit and elegance. |
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Théodore Dubois (1837-1924) Promenade Sentimentale for Piano Trio |
A lovely, highly romantic character piece, from one of the great masters of the French Romantic movement |
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Théodore Dubois (1837-1924) Piano Quartet in a minor |
A masterwork of late French romanticism in the tradition of Saint-Saens, dramatic with fine melodies. |
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Théodore Dubois (1837-1924) Quintet for Piano, Winds & Strings in F Major |
Lovely late French romantic work with original scoring and distinctive use of instrumental timber. |
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Théodore Dubois (1837-1924) Quintet for Piano, Winds & Strings in F Major |
Lovely late French romantic work with original scoring and distinctive use of instrumental timber. |
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Thomas Dunhill (1877-1946) Phantasy Trio for Violin, Viola & Piano in Eb, Op.36 |
Beautiful work for this under served ensemble. By turns pastoral, lyrical and dramatic. Fine part-writing. |
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Thomas Dunhill (1877-1946) Piano Quartet in b minor, Op.16 |
A first rate late romantic gem which should be in the repertoire. Excellent part-writing and appealing melodies |
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Quintet for Pno, Cln, Hn, Vln & Vc in E flat, Major, Op.3 |
A wonderful companion piece to Fibich's great quintet for the same instrumental combination. Finely written for all. |
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Jan Ladislav Dussek (1760-1812) String Quartet No.1 in G major, Op.60 No.1 |
A programming alternative to Haydn or Mozart. A charming and elegant work of historical importance |
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Jan Ladislav Dussek (1760-1812) Quintet for Piano, Violin, Viola, Cello & Bass, Op.41 |
Written for the same instrumentation as the Trout some 2 decades before it! Sounding of the Viennese Classics. |
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Antonin Dvorak (1841-1904) Cypresses for String Quartets |
10 superb love songs for string quartet. Highly romantic, at times quite dramatic. These are little masterworks. |