Sheet Music G

Andrea Gabrieli (1533-1585) Ricercar per sonar a 8 for String Octet	A highly evocative work conjuring up the mood of the late Italian Renaissance. Not at all hard to play.
Ladislao Gabrielli (1851-19??) String Trio No.2 (2Vlns & Vc or Vla) in d minor	Mid-late, romantic works very nicely written for these underserved ensemble combinations
Ladislao Gabrielli (1851-19??) Suite for 4 Violins in G Major	Unlike some violin quartets, this is not a vehicle for the 1st violin. All of the parts are treated generously
Niels Gade (1817-1890) Four Fantasy Pieces for Clarinet or Violin & Piano	Charming lovely pieces any of which would make a fine encore or together a good recital work.
Niels Gade (1817-1890) Sonata No.1 for Violin or Viola in A Major, Op.6	A lovely work sounding of Nordic folk music and evoking their legends.
Niels Gade (1817-1890) Violin Sonata No.2 in d minor, Op.21	A romantic sonata in the tradition of Robert Schumann to whom the work was dedicated
Niels Gade (1817-1890) Violin Sonata No.3 in B flat Major	One of Gade's last works, dedicated to the famous violinist Wilma Neruda. A real candidate for the recital hall.
Niels Gade (1817-1890) Five Novelletten for Piano Trio, Op.29	Five superb, romantic character pieces, each different in the tradition of Schumann and Kirchner.
Niels Gade (1817-1890) Piano Trio in F major, Op.42	In the tradition of Schumann, a beautifully crafted work presenting no technical difficulties.
Niels Gade (1817-1890) Willkommen und Abschied for String Quartet (1840)	Written he met Mendelssohn and Schumann, this quartet does not show their influence & is typical of early Danish Romanticism.
Niels Gade (1817-1890) String Quartet No.1 in D Major, Op.63	The famous critic Altamnn calls it a fine work which sounds good and presents no technical difficulties.
Niels Gade (1817-1890) String Quintet (2 Violas) in e minor, Op.8	A fine addition to the quintet literature. Appealing melodies, good part writing and no technical difficulties.
Niels Gade (1817-1890) String Sextet in E flat Major, Op.44	Lovely melodies, fine part-writing, this is a very worthwhile addition to the string sextet literature.
Niels Gade (1817-1890) String Octet in F Major, Op.17	A Mendelssohnian tribute. Poetic and charming, a worthwhile addition to this scanty repertoire.
Contantino Gaito (1878-1945) Cello Sonata in f minor, Op.26	Combines late Italian with French impressionism in a highly individual manner.
Hans Gál (1890-1987) 5 Intermezzi for String Quartet, Op.10	5 relatively short movements form a lovely & engaging serenade. Inventive & appealing, no technical difficulties
Hans Gál (1890-1987) String Quartet No.1 in f minor, Op.16	Excellent 20th century late tonal work by a master composer whose works deserve to be better known.
Hans Gal (1890-1987) Variations for Piano Trio, Op.9	24 wonderful variations on a Viennese folk melody. Can serve as a short program work or longer encore.
Hans Gal (1890-1987) Piano Trio No.1 in E Major, Op.18	A early 20th century (1925), modern, highly original, thoroughly tonal post-romantic, neo classical work.
Hans Gal (1890-1987) Piano Quartet in B flat Major, Op.13	A gripping post-Brahmsian, idomatic work. Dominated by its powerful, often pounding, rhythms and contrasting melodies.
Vincent Gambaro (17??0-18??) Wind Quartet in E flat Major, Op.4 No.1	Viennese Classical Era Wind Quartet for Flute, Clarinet, Horn & Bassoon. Fine melodies, solos for all.
Johann Baptist Gänsbacher (1778-1844) Piano Trio in D Major (1808)	Stylistically similar to Hummel and early Schubert. A bridge work between classicism & early romanticism.
H. Aimé Garnery (17??-18??) Three Grand Trios for 3 Violins & Cello	Three well written works in the late 18th century classical style. Good for amateurs or concert.
Florian Gassmann (1729-1774) Trio in B flat Major, H.377	A work combining late baroque & early classical styles. Can be played by Violin, Viola & Cello or 2 Violas & Cello
Philippe Gaubert (1879-1941)) Tarentelle for Flute, Oboe & Piano	This exciting one movement work is a showcase for each of the instruments. Great choice for concert also home.
Philippe Gaubert (1879-1941)) Medailles Antiques for Flute, Violin & Piano	Dating from 1916 this lovely neo-classical work consists of two short, charming tone poems good for concert or home.
Philippe Gaubert (1879-1941)) Trois Aquarelles for Violin or Flute, Cello & Piano	This trio is equally effective in either version and deserves to be heard in concert but will also please amateurs.
Franz Xaver Gebel (1787-1843) String Quintet No.1 (2Vc) in e minor, Op.20	Powerful and stormy, but also full of lovely melodies. Reminds one of Beethoven from his early period.
Franz Xaver Gebel (1787-1843) String Quintet No.6 (2Vc or Vc & Kb) in Eb Major, Op.25	Lyrical and charming, this lovely music is written in theearly Romantic style. Nice addition to the repertoire
Franz Xaver Gebel (1787-1843) String Quintet No.8 (2Vc) in B flat Major, Op.27	Like the 2 above, this fine quintet must be placed in the front rank of such works from the Romantic era.
Friedrich Gernsheim (1839-1916) Cello Sonata No.1 in d minor, Op.12	An excellent choice for recital, the sonata has echoes of Mendelssohn and Schumann but is quite original in conception.
Friedrich Gernsheim (1839-1916) Fantasiestücke for Violin & Piano, Op.33	Sad and agitated, full of outbursts of passion, reflecting his failed love affair with a Parsian beauty. Superb recital choice.
Friedrich Gernsheim (1839-1916) Violin Sonata No.1 in c minor, Op.4	A fine romantic era sonata by a composer who was both a violinist & a pianist. Good writing, good recital choice
Friedrich Gernsheim (1839-1916) Violin Sonata No.2 in C Major, Op.50	A fine romantic era sonata by a composer who was both a violinist & a pianist. Good writing, good recital choice
Friedrich Gernsheim (1839-1916) Violin Sonata No.3 in F Major, Op.64	A major late romantic work of the first rank which undoubtedly deserves to be in the concert repertoire.
Friedrich Gernsheim (1839-1916) Violin Sonata No.4 in G Major, Op.85	Hailed by critics at its premiere as a masterwork and as good as any contemporary sonata then being written.
Friedrich Gernsheim (1839-1916) String Quartet Quartet No.1 in c minor, Op.25	Mid-late romantic quartet with gorgeous melodies and a very exciting Rondo all'Ongarese (Hungarian) finale.
Friedrich Gernsheim (1839-1916) String Quartet No.2 in a minor, Op.31	A powerful & tonally rich quartet, full of drive & force from a Brahms contemporary. The sound-bites tell the story.
Friedrich Gernsheim (1839-1916) String Quartet Quartet No.3 in F Major, Op.51	In the form of a fantasy quartet. Beautifully crafted and original in conception.
Friedrich Gernsheim (1839-1916) String Quartet Quartet No.4 in e minor, Op.66	A big and dramatic, first rate late romantic work. Engaging themes and fine part-writing.
Friedrich Gernsheim (1839-1916) String Quartet Quartet No.5 in A Major, Op.83	A superb post-brahmsian masterwork. Combines unusual rhythmic and tonal effects make for a lasting impression.
Friedrich Gernsheim (1839-1916) String Quintet (2Vla) in D Major, Op.9	A masterwork for this combination. Belongs in the repertoire and should not be missed by amateurs
Friedrich Gernsheim (1839-1916) Divertimento for Flute, 2 Vlns, Vla, Vc & Kb, Op.53	A superb and highly appealing work for this rarely heard combination. A real charmer.
Friedrich Gernsheim (1839-1916) Piano Trio No.1 in F Major, Op.28	It is hard to understand why a superb piano trio like this one did not become part of the standard repertoire. A great work.
Friedrich Gernsheim (1839-1916) Piano Trio No.2 in B Major, Op.37	A superb trio from the romantic period from a master composer of great melodic gifts and technical ability.
Friedrich Gernsheim (1839-1916) Piano Quartet No.1 in E flat Major, Op.6	First class mid-romantic era work. Combines Mendelssohnian excitement with touches of Rossini
Friedrich Gernsheim (1839-1916) Piano Quartet No.2 in c minor, Op.20	As fine as any piano quartet from this period. It need not fear comparison with any work including those of Brahms
Friedrich Gernsheim (1839-1916) Piano Quartet No.3 in F Major, Op.47	An mid-late romantic masterwork. Brahmsian but with more creative treatment & combination of the voices.
Friedrich Gernsheim (1839-1916) Piano Quintet No.1 in d minor, Op.35	Has to be one of the greatest piano quintets unjustly forgotten. As good as the greats, hear the sound-bites.
Friedrich Gernsheim (1839-1916) Piano Quintet No.2 in b minor, Op.63	A first class work from the late romantic era deserving concert performance.
Felice Giardini (1716-1796) String Trio No.1 in E flat Major	One of the earliest examples of the new emerging classical style which was replace the Baroque.
Felice Giardini (1716-1796) String Trio No. 2 in B flat Major	The 2nd of this ground breaking set which gained great popularity because of their melodies and ease of playing
Felice Giardini (1716-1796) String Trio Nos. 7 & 11	Giardini's trios along, with those of Boccherini, rank with the very best written before Mozart's Divertimento.
Felice Giardini (1716-1796) String Trio Nos. 8 & 12	Two charming trios which combine the concertante style with that of the Mannheim composers. Good parts for all.
Felice Giardini (1716-1796) String Trio Nos. 9 & 10	Two more engaging works from the transitional Mannheim era. Concertante with solos for each voice.
Felice Giardini (1716-1796) String Quartet No.6 in E flat Major	The last of a famous London collection by J.C. Bach and C.F. Abel, Giardini's is the most advanced of the set, well ahead of its time..
Felice Giardini (1716-1796) String Quartet in E flat Major, Op.25 No.4	One of the last then well-known composers who favored the so called 'style galant' this quartet is an archetypical example of it.
Felice Giardini (1716-1796) Oboe Quartet in D Major, Op.21 No.2	Composed in the early 1780s this work combines the so called style gallant with the emerging newer classical style..
Felice Giardini (1716-1796) Piano Quartet in B flat Major, Op.21 No.2	Historically important example of the emerging (1779) classic piano quartet in early classical style galant.
Jan van Gilse (1881-1944) Trio for for Flute, Violin and Viola in f minor	Fusion of late German romanticism with French Impressionis. Fine writing for all three voices.
Paul Gilson (1865-1942) Trio for Clarinet, Oboe & Piano in b minor	Wonderful use of tone color and inventive rhythms makes this a highly appealing early modern work.
Louis Glass (1864-1936) Violin Sonata No.1 in E flat Major, Op.7	A bright and lyrical work combining the mid romanticism of Schumann with the moodiness of Bruckner
Louis Glass (1864-1936) String Quartet No.4 in f# minor, Op.35	The Chamber Music Journal calls it a modern masterwork which belongs in every professional quartet's repertoire
Louis Glass (1864-1936) String Sextet in G Major, Op.15	An original sounding work with early modern Nordic tonal tendancies. Fine part writing with good melodies.
Alexander Glazunov (1865-1936) Elegie for Viola and Piano, Op.44	Graceful and elegant, valdictory and tinged with some sadness. A fine recital piece
Alexander Glazunov (1865-1936) Chant du Ménestrel for Cello & Piano, Op.71	A lovely, sad plaint, taking full advantage of the cellos singing qualities
Alexander Glazunov (1865-1936) String Quartet No.1 in D Major, Op.1	Hailed by critics as a brilliant Op.1, especially so for 17 years old. Great part-writing, melodies. A 1st rate work.
Alexander Glazunov (1865-1936) String Quartet No.2 in F Major, Op.10	A charming work with appealing Russian melodies and rhythmic figures. It plays well.
Alexander Glazunov (1865-1936) String Quartet No.3 in G Maj. Op.26 "Quartet Slav"	Full of Russian melodies and folk dance rhythms. Boisterous and fun to play. An audience pleaser
Alexander Glazunov (1865-1936) String Quartet No.4 in a minor, Op.64	A work which ought to be in the standard repertoire. Will certainly triumph in concert but good for amateurs too.
Alexander Glazunov (1865-1936) String Quartet No.5 in d minor, Op.70	The same that was said of No.4 could be said of this fine work. Recommended for concert but also for amateurs.
Alexander Glazunov (1865-1936) String Quartet No.6 in B flat Major, Op.106	A massive work composed just after the Russian Revolution. Powerful, dramatic, Russian. A fine work deserving of concert performance.
Alexander Glazunov (1865-1936) String Quartet No.7 in C Major, Op.107	Composed while he was no longer living in Russian. A fond farewell to his beloved homeland.
Alexander Glazunov (1865-1936) Five Pieces for String Quartet, WoO (1879-1881)	Begun at the age of 14 while studying with Rimsky Korsakov these 5 Pieces, which predate the Novellettes & Suite are amazingly mature
Alexander Glazunov (1865-1936) Five Novelettes for String Quartet, Op.15	A suite of atmospheric pieces, each different--one Spanish, one Russian Orthodox, one Gypsy-like and an Oriental
Alexander Glazunov (1865-1936) Suite for String Quartet, Op.35	First rate all the way with an exotic Orientale, toe-tapping scherzo & lovely Waltz. Fine part-writing. A real pleasure.
Alexander Glazunov (1865-1936) Elegy in Memory of M.P. Belaiev for String Qt, Op.105	Composed on the 25th anniversary of the death of his friend, the Russian music publisher and chamber music enthusiast.
Alexander Glazunov (1865-1931) String Quintet (2 Vc) in A Major, Op.39	Rich Russian tonal color, highly romantic, great part-writing. One of the best for this combination
Alexander Glazunov (1865-1931) Reverie Orientale for Clarinet & String Quartet	This highly emotive one movement work evokes images of the exotic East as seen through Russian eyes.
Reinhold Gliere (1875-1956) Albumblätter for Cello & Piano, Op.51	A marvelous set of 12 character pieces which can be played in their entirety as a full recital or as shorter works
Reinhold Gliere (1875-1956) String Quartet No.1 in A Major, Op.2	Gliere made his name with this Quartet. Rich Russian melodies, mesmerizing rhythms, superb part writing.
Reinhold Gliere (1875-1956) String Quartet No.2 in g minor, Op.20	Dedicated to Rimsky-Korsakov, this quartet is an homage to both him & Borodin. Exotic with wonderful tone color.
Reinhold Gliere (1875-1956) String Quartet No.3 in d minor, Op.67	A masterwork from the important early Soviet (1927) era illustrative of the development of Russian music.
Reinhold Gliere (1875-1956) String Quartet No.4 in f minor, Op.83	Though he was 68 at the time he composed this work, it is full of fire and energy. Another tour d'force.
Reinhold Gliere (1875-1956) String Sextet No.1 in c minor, Op.1	Awarded the Glinka Prize by Rimsky Korsakov & Glazunov. A superb sextet, rich, dramatic, & very exciting.
Reinhold Gliere (1875-1956) String Sextet No.2 in b minor, Op.2	Famous chamber music critic Wilhelm Altmann considered this one every bit as good as Sextet No.1
Reinhold Gliere (1875-1956) String Sextet No.3 C Major, Op.11	One of the glories of Russian chamber music. Richly tonal, full-blooded and exciting. A masterwork of its kind.
Reinhold Gliere (1875-1956) String Octet in D Major, Op.5	One of the greatest, if not the greatest romantic string octet ever written. Not to be missed by any octet group.
Mikhail Glinka (1804-1857) Sonata for Viola and Piano in d minor	One of the earliest sonatas for viola by a Russian and perhaps the first of the romantic era.
Mikhail Glinka (1804-1857) Trio Pathétique for Pno, Cln, & Bsn or Vln & Vc	A little early Romantic gem which sounds equally well in the version for piano and winds or piano and strings.
Mikhail Glinka (1804-1857) Three Russian Songs for Violin, Viola or Cello & Piano	Very beautiful and highly effective in this setting. Excellent for the concert hall or home. Easy to play.
Mikhail Glinka (1804-1857) String Quartet No.1 in D Major	Glinka was only 19 when he started work on it. One of the 1st, if not the 1st quartet by a Russian composersT
Mikhail Glinka (1804-1857) String Quartet No.2 in F Major	This charming work has themes from Ruslan & Ludmila but was written 12 years before the opera.
Mikhail Glinka (1804-1857) Sextet for Piano, String Qt & Bass in E flat Major	Brimming with gorgeous melodies and good opportunities for all, a fine piece, especially for this rare ensemble.
Mikhail Glinka (1804-1857) Divertimento Brillante for Piano, String Qt & Bass	Written at the same time as the Sextet and sharing many of the same qualities.
Mikhail Glinka (1804-1857) Septet for Oboe, Bassoon, Horn, 2 Violins, Cello & Bass	From 1823 & the only Russian septet from the 1st part of the 19th century & with Oboe & not clarinet
Mikhail Gnesin (1883-1957) Little Pieces for Clarinet, Violin, Cello & Piano, Op.60	A charming work from his second and later period, easy to play and suitable for amateurs and concert.
Mikhail Gnesin (1883-1957) Requiem for Piano Quintet, Op.11	Influenced by Scriabin, this is an original and important example (1913) of Russian Futurism.
Benjamin Godard (1849-1895) Violin Sonata No.1 in c minor, Op.1	A youthful work, very energetic, dramatic, romantic and exciting from Henri Vieuxtemps protage. Makes an exciting recital choice.
Benjamin Godard (1849-1895) Violin Sonata No.2 in a minor, Op.2	As fine a mid Romantic era French violin sonata as you will find. Superb melody, 1st rate in every way. A top recital choice.
Benjamin Godard (1849-1895) Violin Sonata No.3 in g minor, Op.9	An interesting and unusual sonata sounding quite a part from others of the period. Suitable for both professionals and amateurs
Benjamin Godard (1849-1895) Violin Sonata No.4 in A flat Major	Godard's last violin sonata and the one most often performed during his lifetime. A fine work and good choice for the recital hall.
Benjamin Godard (1849-1895) Six Duettini for 2 Violins & Piano, Op.18	Six wonderfully contrasting pieces, some charming and emotive, others exciting and dramatic. A good choice for recitals.
Benjamin Godard (1849-1895) Piano Trio in No.1 g minor, Op.32	Full of elan, French Romanticism at its best with lovely melodies and fine part-wriing
Benjamin Godard (1849-1895) Piano Trio in No.2 F Major, Op.72	Charming melodies, sophiscated harmonies, excellent part-writing. First rate mid-late French Romantic trio.
Benjamin Godard (1849-1895) Four Morceaux for String Trio, Op.5	A charming work, beautifully written. An elegant, shorter trio. Any movement could also serve as a fine encore
Benjamin Godard (1849-1895) String Quartet No.1 in g minor, Op.33	Beautifully written, perfect for amateurs but also good enough for the concert hall.
Benjamin Godard (1849-1895) String Quartet No.2 in A Major, Op.37	A fine work written by a quartet player composer. Appealing melodies and a very exciting finale.
Benjamin Godard (1849-1895) String Quartet No.3 in A Major, Op.136	A masterly work well written for all, The cello is especially generously treated. Satisfying work good for concert & home
Alexander Goedicke (1877-1957) Violin Sonata No.1 in A Major, Op.10	It was with this outstanding work that Goedicke took 1st Prize at the prestigous 3rd Rubinstein Competition.
Alexander Goedicke (1877-1957) Violin Sonata No.2 in D Major, Op.83	In some ways a valedictory leave taking work harking back to Beethoven and Bach
Alexander Goedicke (1877-1957) Two Pieces for Clarinet & Piano, Op.28	Dating from 1921, these two finely crafted pieces show some influence of French impressionism. A good recital candidate.
Alexander Goedicke (1877-1957) Piano Trio in g minor, Op.14	Winner of the Gold Medal at the 1900 Paris Exhibition, a fine late Romantic Russian work.
Karl Goepfart (1859-1942) Trio for 2 Violins and Viola in G Major, Op.73	A fine romantic era work for this underserved combination. Not hard to play, good for home & concert
Karl Goepfart (1859-1942) Trio for Flute, Oboe & Piano in E flat Major, Op.74	Charming work which blends all three instruments in an excellent fashion. Good concert work.
Karl Goepfart (1859-1942) Trio for Clarinet, Bassoon & Piano in c minor, Op.75	Well written for all three voices, appealing melodies, not hard to play and an excellent concert hall choice for this little served ensemble
Karl Goepfart (1859-1942) Quartet in d for Flute, Oboe, Clarinet & Bassoon	This is an appealing, tuneful, light-hearted and playful work in the late romantic style.
Hermann Goetz (1840-1876) Piano Trio in g minor, Op.1	A highly-charged, unjustly forgotten mid-romantic masterpiece full of fresh and original melodies.
Hermann Goetz (1840-1876) Piano Quartet in E Major, Op.6	Considered one of the masterpieces of the piano quartet literature. Once a fixture in the concert hall.
Hermann Goetz (1840-1876) Quintet for Piano, Violin, Viola, Cello & Bass, Op.16	A fine addition for the Trout instrumentation. Well-written with no great technical difficulties
Carl Goldmark (1830-1915) Piano Trio No.1 in B flat Major, Op.4	A 19th century concert hall favorite. Fresh and original sounding, excellent part-writing. A very effective work.
Carl Goldmark (1830-1915) Piano Trio No.2 in e minor, Op.33	A superb work which really ought to be returned to the concert stage. Very enjoyable to hear and to play.
Carl Goldmark (1830-1915) Piano Quintet No.1 in B flat major, Op.30	A big work, full of memorable melodies and great part writing. Should be in the repertoire.
Carl Goldmark (1830-1915) Piano Quintet No.2 in c sharp minor, Op.54	Combines late Central European romanticism with advanced chromaticism & elements of impressionism.
Carl Goldmark (1830-1915) String Quartet in B flat Major, Op.8	Typical mid-romantic period work, well written for all of the voices with appealing melodies.
Carl Goldmark (1830-1915) String Quintet (2Vc) in a minor, Op.9	Tonally rich and full-blooded, this work makes excellent use of both cellos in their lower registers.
Carl Goldmark (1830-1915) Suite for Violin & Piano in D Major, Op.11	Beautiful melodies, piquant harmonies and rhythms, original--a recital piece par excellence.
Rubin Goldmark (1872-1936) Piano Trio in d minor, Op.1	His works were once among the most frequently played by an American. Dvorak hailed this trio as first rate
Carlos Gomes (1836-1896) O burrico de pau for String Quintet or Quartet	A beautiful and appealing work which musically conveys the composer's journey to heaven on a wooden donkey.
Jose Pedro de Sant'Anna Gomes (1834-1908) Six Pieces for 2 Violins, Viola, Cello and Bass	Charming, light-hearted works based on Brazilian melodies. Easy to play and good to perform.
Eugene Goosens (1893-1962) 5 Impressions of a Holiday for Flute or Violin, Cello & Piano	An emotive musical picture in the French Impressionist style of the composer's visit to Belgium before WWI
Charles Gounod (1818-1893) String Quartet in C Major, CG.561	Though dedicated to a famous French string quartet ensemble, this charming work is easy to play.
Charles Gounod (1818-1893) String Quartet in a minor, Op. Post., CG.564	Gallic wit and charm combined with a lightness of touch and a sense of playfulness.
Charles Gounod (1818-1893) Petite Symphonie for Wind Nonet, Op.216	Superbly written for winds, with lovely melodies. An essential addition to the wind nonet repertoire.
Théodore Gouvy (1819-1898) Piano Trio No.2 in a minor, Op.18	From Bravura to the dark & foreboding to the comic, you will find it all in this superb and very original piano trio
Théodore Gouvy (1819-1898) Piano Trio No.3 in B flat Major, Op.19	Another excellent, mid romantic work full of attractive melodies and fresh ideas.
Théodore Gouvy (1819-1898) Piano Trio No.4 in F Major, Op.22	Yet another charming, highly appealing work with very catchy melodies and fine writing.
Théodore Gouvy (1819-1898) Piano Quintet in A Major, Op.24	The Chamber Music Journal calls it a masterwork. Judge for yourself and listen to our sound-bites.
Théodore Gouvy (1819-1898) String Quartet No.1 in B flat Major, Op.16 No.1	A mid-romantic work which is fresh and attractive, full of charm and excitement. Plays well and sounds good.
Théodore Gouvy (1819-1898) String Quartet No.3 in D Major, Op.56 No.1	Following in the footsteps of Mendelsohn and Schumann it is is full of fetching melodies and clever touches. Good for home or concert hall
Théodore Gouvy (1819-1898) String Quartet No.5 in c minor, Op.68	Here you will find solemnity interspersed with pathos and lovely melodies from an important mid romantic.
Théodore Gouvy (1819-1898) String Quintet (2Vc of Vc & Kb) in G Major, Op.55	In the scant literature of string quintets for 2 cellos, this is one of the best. Romantic with great melodies
Théodore Gouvy (1819-1898) Octet for Winds in E flat Major, Op.71	A light and bright somewhat Haydnesque work through French romantic mirrors. Well written for all, good for concert or home.
Théodore Gouvy (1819-1898) Petite Suite Gauloise for Wind Nonet, Op.90	A late romantic French take on the baroque suite. Good charming with part writing for all.
Hermann Grädener (1844-1929) String Quartet No.1 in d minor, Op.33	A fresh-sounding, substantial late romantic work with original rhythmic and melodic ideas.
Hermann Grädener (1844-1929) String Quartet No.2 in D Major, Op.39	Dominated by its powerful rhythms but not without lyrical melodies, this is another worthwhile late romantic quartet
Hermann Grädener (1844-1929) String Octet in C Major, Op.12	A big and valuable addition to the limited octet literature. Tonally rich, spacious & full bodied. A fine work.
Paul Graener (1872-1944) Kammermusikdichtung for Piano Trio, Op.20	A powerful and dramatic late Romantic period tone poem. Definitely a good choice for the concert hall
Paul Graener (1872-1944) Piano Trio in C Major, Op.61	Recommended for concert performance mixes post WWI modern with late Romantic melodies.
Paul Graener (1872-1944) String Quartet No.2 in a minor, Op.54	1st rate post romantic work. By turns dark and brooding, dramatic and powerful. Good for the concert hall.
Percy Grainger (1882-1961) Handel in the Strand for Piano Quartet	Cleverly written in the early 20th century English Popular music style. Great shorter work or superb encore.
Marie Grandval (1828-1907) Two Pieces for Clarinet and Piano (1881)	Two emotive works which expertly explore the more lyrical side of the clarinet.
Marie Grandval (1828-1907) Andante & Intermezzo for Piano Trio (1889)	Lyrical and beautiful melodies, good part-writing with the aura of the late 19th century Parisian salon.
Alexander Gretchaninov (1864-1956) String Quartet No.1 in G Major, Op.2	Very Russian. From one of Rimsky's most talented students. A prize-winning, late 19th century romantic gem.
Alexander Gretchaninov (1864-1956) String Quartet No.2 in d minor, Op.70	An extraordinary mixture of late Russian romanticism with French impressionism. Very original and engaging.
Alexander Gretchaninov (1864-1956) String Quartet No.3 in c minor, Op.75	Powerful, expressive, dramatic, combines late Russian romanticism with modern trends. Very fine work.
Alexander Gretchaninov (1864-1956) String Quartet No.4 in F Major, Op.124	Inspired by Beethoven's 5th Symphony, but full of Russian folk melody and several modern post WW1 tonal & harmonic touches..
Alexander Gretchaninov (1864-1956) Piano Trio No.1 in c minor, Op.38	A mainstream late romantic work with fine melodies and excellent part writing.
Edvard Grieg (1843-1907) Andante con moto in c minor for Piano Trio	The first movement of what was meant to be an entire piano trio, this is a stand alone little gem.
Charles Tomlinson Griffes (1884-1920) 2 Sketches for String Quartet based on Indian Themes	One hears the Indian themes through the exotic music of the French Impressionists. Very atmospheric.
Leo Grill (1846-1919) String Quartet No.1 in E flat Major, Op.9	A fine mid-romantic era work. Excellent part-writing, appealing melodies, good for concert hall or home.
Johann Benjamin Gross (1809-1848) String Quartet No.3 in f minor, Op.37	An appealing and worthwhile mid-romantic work from an almost exact contemporary and friend of Mendelssohn.
Gabriel Grovlez (1879-1944) Lamento & Tarantelle for Clarinet & Piano	It served as the 1923 Solo de Concours work of the Paris Conservatory competition. Excellent recital choice.
Cornelius Gurlitt (1820-1901) Miniature Piano Trio in G Major, Op.181	Although it was written for players of modest ability looking for a concert choice, it does not sound that way
Adalbert Gyrowetz (1763-1850) Quartet for Flute, Violin, Viola & Cello in D Major, Op.11 No.1	Could easy be mistaken for a work by Haydn or Mozart. Charming, fun to play and appealing.
Adalbert Gyrowetz (1763-1850) Piano Trio in A Major, Op.12 No.1	In the style of Haydn's London Trios of the 1790's. Appealing and pleasant to play.
Adalbert Gyrowetz (1763-1850) Grand Trio in E flat Major, Op.43	A charming work which can be played by either a clarinet trio or standard piano trio.
Adalbert Gyrowetz (1763-1850) Divertissement for Flute or Violin, Cello & Piano, Op.50	This lovely work dating from 1801 was aimed at the burgeoning home music making market.
Adalbert Gyrowetz (1763-1850) String Quartet in B flat Major, Op.1 No.3	A fine example of the styles of the late Mannheim School and that of the early emerging Vienna Classical style.
Adalbert Gyrowetz (1763-1850) String Quartet in D Major, Op.13 No.1	His style closely resembled that of Haydn but here the 2nd violin, viola & cello are given better parts than Haydn
Adalbert Gyrowetz (1763-1850) String Quartet in D Major, Op.21 No.3	His works were often passed off as Haydn's & this one would make a welcome substitue for one in concert.
Adalbert Gyrowetz (1763-1850) String Quartet in E flat Major, Op.29 No.1	The first of an innovative set of quartets which has elements which anticipated Beethoven's Op.18 quartets.
Adalbert Gyrowetz (1763-1850) String Quintet (2 Violas) in C Major, Op.36	His good friend Haydn never wrote one, but it is not a stretch to think had he, it might have sounded like this

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